| Batik as traditional culture from Indonesia, begin to | | | | village, Mulyadi gave training to local people in |
| be empowered by Government. The starting | | | | order to serve Madurace as customers. So design |
| policies, because of young generations are not | | | | Jetis batik was influenced by Madurese orders and |
| interested in continuing to design batik. | | | | philosophy. Birds, spinach, flowers and spread rice |
| Indonesia archipelagos have different culture and | | | | always becomes symbol design in Jetis batik. Birds |
| language, so batik design performances are the | | | | reflect of free animal. They can fly whenever |
| same as culture of people. | | | | they wish, work hard, never give up and can live |
| Sidoarjo and Surabaya are starting point to create | | | | every where. Spinach and flowers reflect that |
| Village center or Kampoeng batik in Indonesia. | | | | Madurase always sell vegetables in the market |
| Philosophy of creating Kampong batik in order to | | | | and have strong entrepreneurship. Spread rice |
| invite many visitors and foreigners come and find | | | | reflects prosperous. |
| batik home industry easily. You can find women | | | | Sidoarjo is popular with motto, Sidoarjo |
| and men to assemble to design batik, using | | | | resurgence to bright future, start to motivate |
| canting, showroom to show varieties of batik to | | | | their people to work hard again and never give |
| sell and batik processing. It is very interesting to | | | | up. |
| see. The most interest one, Sidoarjo as industry | | | | To motivate batik entrepreneurs, government try |
| town in east java Indonesia that has serious | | | | to give stimulant through capital, much information |
| problem to handle social struggling, because of | | | | how to market products, beside batik |
| volcano mud, become pioneer of Kampoeng batik. | | | | entrepreneurs try to redesign batik to be popular |
| Once upon time, the story began when the son | | | | between young generation. So young generations, |
| of kingdom, anonymous as Mulyadi came to Jetis | | | | like to wear batik in their daily activities. |
| village. Jetis village as center of government, was | | | | According Tan Han Foen, popular designer from |
| so near mosque, called Al Albror in 1675. | | | | Surabaya said that young generations can create |
| Mulyadi as a new visitor try to take sympathy | | | | new design that suitable with their character. |
| from Pekauman villager. He taught about religion, | | | | There are few suggestions how to keep batik in |
| how to design batik and how to be entrepreneur. | | | | order to look good, according Tan Han Foen, |
| Jetis village that had been varieties ethnic, as | | | | 1.Keep your batik, suitable with batik varieties, |
| madurese, Javanese and others ethnic would | | | | because batik is created from varieties tips, silk |
| have problems, if the people had not tolerance. | | | | and cloth, |
| The Madurese are popular with strong behave | | | | 2.Especially silk batik, you can do dry clean when |
| and strong entrepreneurship, diligent, consistent | | | | washing them. For batik that using cloth material, |
| and never give up, success as entrepreneur and | | | | you can wash by washing machine. |
| getting rich. | | | | 3.To avoid faded color, do not wash batik |
| To create tolerance between many ethnic at Jetis | | | | frequently. |